Not for the faint of heart. No sissies allowed. If you like James Bond you will love Helm.

One of the best in an excellent series(although more James Bond-like than the previous eight). It's a shame that many dismiss the Helm books as just another bad action/adventure series(this is largely due to the horrible titles, horrible covers, and horrible Dean Martin movies). This is the greatest hard-boiled spy series ever written and puts Ian Fleming to shame. Great fun!

People are dying of diseases such as bubonic placque. Matt Helm is sent to Scotland to clear everything up and encounters an egotistical scientist, Chinese agents and his old Russian adversary, Vadya. Donald Hamilton does it again with another fast paced Matt Helm thriller and mystery. Don't miss reading this book.

In this West Indian version of Rumpelstiltskin, Queen Quashiba marries the rich and powerful Big King, but must produce three rooms full of gold cloth after a year and a day or be locked away forever and a year. How will she ever accomplish such a supernatural feat?

The book is richly illustrated with vibrant colors and the words are pleasing to read silently or aloud. Both Virginia Hamiltion and the Dillons prove to be masters of their respective crafts and together produce a winning combination in their version of this classic tale.

Crazy James

What a beautiful book! Beautiful language, beautiful pictures. Even my 3-year-old son, who usually just likes books about trucks, wanted me to read it over and over. I like it better than the German version (Rumplestilskin); Quashiba acts much more like a real person here.

Whatever Virginia Hamilton, Leo & Diane Dillon touch turn to gold! Hamilton's creative use of language and dialect give this retelling of the Rumplestiltskin story a sense of freshness and fun. The rich illustrations and the whimsical portrayal of the Lit'mahn character complement the text beautifully. As a read-aloud, the experience is delightful for both the reader and the audience.

Baldwin IV, king of the Crusader Kingdom of Jerusalem is largely - and unfairly - unknown in the west today. But, as Bernard Hamilton details in The Leper King and his Heirs, he deserves so much better. For a start, he accomplished so much more than his famous Crusading near contemporary Richard the Lionheart, and under infinitely more trying conditions.

Not only was his childhood troubled - his father Amalric had been forced to disown his mother Agnes when Baldwin was two years old before the aristocracy would accept him as king, and Baldwin was only 13 when Amalric died and he took the throne - he contracted leprosy at a young age (Baldwin's symptoms are discussed in a useful appendix by Piers Mitchell).

The disease could not be hidden; "It grew more serious each day, specially injuring his hands and feet and his face, so that his subjects were distressed whenever they looked at him," William of Tyre, chief contemporary chronicler of the day, relates.

A lesser person would have quickly broken under such circumstances. But Baldwin was animated by both a bold spirit and a tremendous sense of duty, of his obligation to his people. One of the most human touches is William of Tyre's depiction of Baldwin as "a good looking child for his age" who grew up "full of hope" and "more skilled than men who were older than himself in controlling horses and in riding them at a gallop," (p 43). Baldwin had taught himself this skill, vital to a knight, despite already losing feeling in his right hand. And he continued to ride at the head of his men into battle when there was no way he could have remounted had he been unhorsed. Determination and courage were to be the hallmarks of his all too brief career.

For Baldwin was by any measure a successful king - considering his circumstances and limited resources, a great one. Though his people were massively outnumbered and surrounded on three sides, this boy, who took the throne in 1164 and died aged not quite 24 in 1185, for 11 years frustrated the ambition of Saladin, the greatest warrior of the age, to forge unity among the Arab people and drive the Christians from the Holy Places.

Despite being significantly outnumbered, he defeated Saladin in two major battles, Mont Gisard in 1177 and Le Forbelet in 1182, and forced him to raise the siege of Beirut in 1182 and the major fortress of Kerak twice, in 1183 and 1184. On the latter occasions he was blind and so debilitated he had to be slung in a litter between two horses.

Hamilton also helps untangle the intricate web of domestic and international relations in which Jerusalem, the center of the world for three faiths, was ensnared. Baldwin had to balance the conflicting jealousies and agendas of his own nobility, always maneuvering to secure their positions first in the event of a regency, then at the succession; the knightly orders that were within his kingdom but not of it; the neighboring Crusader states; the attitude of the Papacy; the interests of Byzantium; and the distant and fickle responses of the western European powers. And overshadowing all this was ever-present menace of the Islamic counterattack that could come anytime, anyplace. Given this ever-precarious situation, Baldwin perhaps emerges with even greater credit for his diplomacy than for his skills with the sword. Certainly, he made no fatal mistakes and left the kingdom in no weaker condition than he found it.

Hamilton makes no great departures in his work, but goes some way towards rehabilitating Reynald of Chatillon from his characteristic depiction as loose cannon psychopath. Following Michael Lyons and David Jackson's Saladin: The Politics of Holy War, he also demythologizes the Crusader's nemesis, emphasizing the traditional argument that the Christian state unnecessarily provoked Saladin into war is flawed: The great leader of the Muslim world had been working towards the cleansing Jihad his entire career.

This is a book as much about an era as an individual, and at times, Baldwin as a personality tends to disappear inside it. Even considering the limitations of the sources, one wishes there was more representing his perspective in his voice. But we are limited to a heartfelt letter he wrote to Louis VII of France, humbly recognizing his limitations and offering to hand the kingdom over to a candidate as noble, and more healthy, than he: "To be deprived of one's limbs is of little help to one in carrying out the work of government... It is not fitting that a hand so weak as mine should hold power when fear of Arab aggression daily presses upon the Holy City and when my sickness increases the enemy's daring." (p 140).

It was fortunate for the Kingdom of Jerusalem that this offer was refused. It is significant that just two years after Baldwin's death Saladin won his great victory at Hattin, fatally wounding the Crusader presence in the Middle East and setting in motion the chain of events that would culminate in their expulsion in 1291.

"Few rulers have remained executive heads of state when handicapped by such severe physical disabilities or sacrificed themselves more totally to the needs of their people," (p 210) Hamilton concludes. Baldwin's accomplishments would seem to be the stuff of myth, but he was quite real, a testament to human courage and endurance, and Hamilton does a fine job of putting his life and times in perspective.

I greatly enjoyed this book! The reign of Baldwin IV, the Leper King has been long, long overdue for a good, historical revision! The usual story: Saladin/Raymond of Tripoli good guys, everybody-else bad guys (particularly Agnes de Courtenay, the king's mother, portrayed as a cross between "Vampirella" and Marilyn Monroe), with the poor Leper King in the middle (usually portrayed as a cross between The Little Lame Prince and Count Dracula) has always been too simplistic---I thought so, even before reading this book. Hamilton gives you all the details, all the facts, and even an appendix discussing Baldwin's illness from a medical point of view. Get this book!

Baldwin IV of Jerusalem, who came to the throne as a teenager and was afflicted with leprosy, is traditionally thought of as a weak monarch -- some even claiming that the loss of Jerusalem in 1187 was an end result of his mediocre reign.

Bernard Hamilton sets the record straight in this eminently readable reassessment of the reign of "Leper king", demonstrating that Baldwin, in spite of his leprosy, was actually a resilient monarch who twice defeated the forces of the famed Saladin. Only in the last stages of his life did his gruesome ailment impede his otherwise vibrant rule. Perhaps Baldwin's only failure was his inability to provide the realm with an offspring to succeed him, which propelled the kingdom into a messy political power-struggle. This internal disunity paved the way for Saladin's victories in 1187.

While the work does address some historiographical debates, casual readers and amateur historians will appreciate the book as well. Hamilton's engaging style makes for a lively read, detailing the life of the underrated Baldwin IV, how leprosy was viewed & treated in the medieval period, the tenuous dynamics of the Latin kingdom of Jerusalem, and the events which led to the downfall the chief crusader state. Hopefully CAMBRIDGE UNIVERSITY PRESS will issue a paperback edition of the work, so the interested reader can afford this informative, enjoyable book.

I bought this collection for one reason and one reason only: it contained another slice of Ian McDonald's world-turned-upside-down 'Chaga; sequence. As it turned out this was by far the best piece in the book, but more of that later.

I haver never been convinced by Pater Hamilton, much as I want to like a British author who can do cyberpunk and do space opera with the best of the yanks. However his piece in this collection, 'Watching Trees Grow' changed my opinion of him. It is an alternative-history crime novella based on the premise that descendants of the Romans still rule Britian through a set of East India Company-style families who combine economic control with a monopolies over various areas of scientific progress. It is a neat idea, and takes the premise further than many other alternative histories by throwing the story further and further into the future, as an old rivalry becomes an obsession that almost transcends time.

I enjoyed it despite the episodic feel - perhaps a novel would have been more appropriate - but its 'Britishness' seemed slightly musty and old-fashionned, and redolent of dreams of Empire, in stark contrast to McDonald, or more overtly hip authors like Jeff Noon or Justina Robson. Maybe that was the point, and if so it was well made: science fiction is much the poorer if it doesn't teach you something about the society in which you live.

As for Stephen Baxter's 'Reality Dust': well, he does try, and he does keep churning them out, but this is so boring and so mainstream and so traditional. It is all done very competantly, but it is basically the kind of SF I enjoyed when I was a teenager, it isn't challenging in any way.

I was a little disappointed with Paul McAuley's novella, 'Making History', especially as he is one of my favourite writers. This was partly because at the heart of it was a very tedious old argument about the nature of history (great men versus social processes) which tended to intrude on the quite interesting story of the processs of war, defeat, reconciliation and the way history is written. Perhaps this was set up as part of the character of the historian to demonstrate his own flaws, but it didn't really convince. This is certainly not one of his best stories.

As I said at the start, I bought this collection for Ian McDonald's 'Tendeleo's Story'. I was certainly not disappointed by this one. McDonald is one of the few writers in the genre today who can combine real politics and a strongly compassionate and empathetic grasp of human nature. He is also a superb writer, able to portray setting and character in a vivid, dynamic and sensual way.

This novella, as the title suggests is the story of Kenyan girl, Tendeleo, the arrival of a extraterrestrial nanotech lifeform, the Chaga, that begins to transform Africa, and as a result the balance of global power. Initally for Tendeleo, however, this means growing up and simply trying to survive in the ferment that follows, which in her case means geting more and more deeply involved in street gangs smuggling Chaga material out of Africa. Capture and exile is never far away and whe it comes she loses here family in tragic and guilt-inducing circumstances. She winds up in cold, rainy Manchester, England, where she meets the other central character and narrative voice of the story, Sean, a black Irishman, who is also an exile in various ways, and a tentative love affair begins. Of course, inevitably Tendeleo has to return to Africa, where the Chaga has begun to revolutionise everyday life and the place of Africa in the world.

'Tendeleo's Story' is worth the price of this collection alone. It is an almost perfect example of how to write a novella that with none of the structural problems of the others in the book. The narrative is perfectly paced, with a deft handling of both action and emotion and no forced-ness or pretension. It is truly worthwhile and heartbreakingly real story that exist within an utterly fantastic and transforming world, yet a world which says so much about our own. A true gem of a story, from one of the best and most underrated writers around.

This volume is somewhat different than the usual flurry of anthologies that come out, especially during the holiday season, on two counts.

First, it is a British import, and thus the authors represented, while to varying degrees familiar to most of the rest of the world, really are British in tone and outlook.

Second, rather than stories, this volume has the longer novella form for the stories, and thus there is one story apiece. SF seems to be the last bastion of this "not quite short story, not quite novel" length work, and the virtues of the form are admirably displayed here.

The first story is Peter F. Hamilton's WATCHING TREES GROW. Although far better known for his Reality Dysfunction space opera, Hamilton has written detective SF before (The Mindstar Rising novels) and this is another example, with a twist...it is set in an alternate history where Heinleinian long-lived families vie for power and influence, and that is just the backdrop to a murder mystery.

The second story is REALITY DUST by Stephen Baxter. Unlike Hamilton, Baxter's story is set in his trademark universe, the "Xeelee Sequence". This is set after the Qax Domination, where their former collaborator-lackeys seek escape from the freed peoples of Earth in a rather unusual escape route.

MAKING HISTORY, by Paul McAuley is set in a more standard "near future" solar system, in the aftermath of a war...and even if it is true that history is written by the victors, that history can sometimes be rather muddled in the making.

The last story is TENDELEO'S STORY by Ian MacDonald. Like the Baxter, it is set in a trademark world of his, the "Chaga stories", where a strange alien life (nanotech? technolife?) has started to colonize the Earth, beginning with Africa. This story, like his other novels and stories, focuses more on the people affected by the Chaga, much more so than the actual event itself.

All four of these stories are strong, but of course, tastes may vary. The stories do range a far chunk of SF, and it is very possible that while you might like two or three, you may not like all four (personally, I liked the Baxter the best and the McDonald the least). Thus, the 4 star rating. Still, all in all, if you are at all interested in what the best British SF writers are doing, this paperback is perfect for the purpose.

Four novellas that are everything that is great about science fiction. These four authors are absolutely among the greatest voices in the genre today.

In WATCHING TREES GROW Peter Hamilton took history, turned it upside down, shook it a bit & gave us an alternate view of a history quite unlike anything I had ever read before.

Stephen Baxter's REALITY DUST made the reader look at reality in a whole new way.

In MAKING HISTORY, Paul McAuley showed how history is not always written by the victor.

Ian MacDonald's TENDELEO'S STORY took me back to the Chaga in EVOLUTION'S SHORE which always impressed me as being one of the most possibly real First Contact stories ever written.

All four novellas explore the very trait of our species' survival, adaptability, that brings hope & after all that's what science fiction is really about.

I have a relative that lives in Indiana. She has Hoosier Temples and I read it last time I was at her home. It was a good book but only if you're from indiana will you know what all the history means.

This is absolutely the best book that I have ever seen of this kind. I'm an Indiana basketball junkie who is currently studying at Penn State. I read this book every night before I go to bed. I bore my roommate to death with stories about the Wigwam, Chrysler Fieldhouse, and of course, Hinkle Fieldhouse. I have actually planned road trips with my high school buddies because of this book. It would serve everyone well to make a trip to Knightstown, to see the gym where Hoosiers was filmed. Anyway, Hamilton does an excellent job of giving rich history and great photos of hundreds of Indiana's greatest gyms. This is a must read for all Hoosier basketball fans.

The book serves as a great history book

What caught my eye was the recipe for coconut bread. A friend said it was out of this world. I bought this book from AMAZON.COM because they had the best price. I saw it in New York and at my local bookstore. Amazon won !!!! I will be baking the coconut bread soon, but without the raisins!!! Bon Appetite !!!

My husband is of Jamaican and Barbadian descent and loves to cook Caribbean "Soul" food. I was so excited today to find recipes for Callaloo Soup, Pepperpot, Cou-Cou, Rice and Peas and "Bakes", all of which I've watched him make and look authentic to me. I've been to Jamaica twice and learned to make the Planters Punch exactly the way it's described in the book.

I'm sure it's just a typo, but don't lose your credibility. I haven't read the book but it sounds neat. THIS IS NOT INTENDED TO BE POSTED, JUST AN "fyi"

This is a good book with lots of tried and true design tips, but if you're looking to redesign your newsletter and give it a "current" feel, be forwarned: this book is almost 10 years old, and the sample newsletters they feature show it. I think it's a good book, but given its age it should be cheaper.

This book is very useful and I use it as a guide when producing newsletters for my campus. The author's tone is a bit high-handed but the information is invaluable. There are examples of styles and set-ups for very fine standard styles. Not anything cutting-edge in it, though. The author is thorough in language useage and styles. Lots of what not to dos in here.

With this book plus "Producing a First-Class Newsletter" By Barbara A. Fanson, I learned everything I needed to know to produce a very polished redesign of the monthly newsletter for my company's customers. Well worth the money.

I read Hangover Square and thoughht is was one of the best books I've read. SOS lacks the eye for detail and conversation that made Hangover Square. However, it's worth a read - but try Hangover Square first.

The plot probably doesn't sound too enticing: it's about the rather hopeless and somewhat insane inhabitants of a boarding house located in the suburbs of London during World War II. What makes the book so incredible - and viciously funny - is Hamilton's fanatical attention to the idiosyncrasies and petty hatreds of the main characters. The 'heroine' of the book, Miss Roach, starts off as the main target of the utterly insane Mr. Thwaites, who delights daily in causing her the most excruciating embarassment in front of the other guests. He's soon joined in this pastime by a newly arrived German boarder, Vicki Kugelmann, who goes from being Miss Roach's friend to becoming her most insidious tormentor. Throw in a rather dumb American Lieutentant who lusts after any female under the age of 60, and you have the blackest of comedies spiralling towards inevitable tragedy.

I said the plot doesn't sound that much, but the power of it, as with all of Hamilton's books, lies in the unique atmosphere of agony, loneliness and booze-sodden desperation his characters struggle in.

Along with Hangover Square and One Thousand Streets Under the Sky, this is a tremendous novel. Hamilton writes beautifully about a cast of dreadfuls- the parochial bores, the bitchy backstabbing friends, and above all the boozers.

It is rare to read a book set in the 1940s which still seems so contemporary. The humour is biting and the depths and subtletys of character equal to Greene, Waugh and their ilk. Hamilton's writing brings to mind the Martin Amis school of tales from the London gutter, but his characters are achingly alive and never seem cartoonish.

If you can get your hands on the above(try amazon.co.uk), read all three...

There's no question that this is a lot of book for the money, and it's an essential volume for the serious student. The introductory matter is a disappointment, though; instead of guiding us into this massive work with a view to our gaining pleasure from it (and above all else, Spenser is _fun_ to read), Hamilton gives us a dense and barely readable collection of quotations from other critics and cross-references to scholarly papers. Many of the footnotes in the text suffer from the same kind of high-priestly scholarship, mixed with a tendency to ferret out sexual symbolism wherever it can be found. There is plenty of information in the notes to clear up the inevitable confusion modern readers must experience, but at times one wishes a giant could wield a club without the accompaniment of chattering from a tribe of commentators about phalluses and biblical parallels. In short, this volume contains all that is good and all that is bad about "literary criticism".

This second edition of "The Faerie Queene," with A.C. Hamilton as the editor, again sets the standard for critical editions of Edmund Spenser's classic poem. This volume replaces Hamilton's first edition of the poem as the standard academic text. Anyone who is serious about studying the poem should purchase this particular edition. In addition to featuring a much clearer typeface than that of the first edition, the second edition contains critical commentary about the poem that is as current as one could expect (i.e., through the '90s). The footnotes are conveniently and unobtrusively placed at the bottom of the text, so one can easily ignore them, if they prefer. However, the labyrinth of cross-references are highly informative, provocative, and illustrate the poem's incredible richness. I find myself so engaged in the contemporary criticism of the poem that I'm constantly going to the library to read the articles to which the notes refer.

If you already have the first edition that was edited by Hamilton (or if you were lukewarm about reading Spenser in the first place), you may not need this updated edition, unless you would like to read the updated essays and commentary. However, if you love "The Faerie Queene," this particular volume will provide you with many hours (and possibly years) of enjoyment. It is well known that the poem is one of the greatest ever to be penned in the English language. In the second edition, Hamilton helps us all understand why this poem speaks so powerfully to us over four hundred years later. This is truly a marvelous poem and a great academic text.

Fortunately, in reviewing this book I am not faced with the usual difficulty of separating the quality of the work itself from the quality of its presentation; both are exquisite.

Edmund Spenser's _The Faerie Qveene_ is rightly considered one of the timeless masterpieces of English literature. Collectively, it is an embodiment of and a response to both medieval and Renaissance themes and devices. The medieval romantic and Arthurian genres are blended with Petrarchan techniques and Neoplatonic philosophy. Nevertheless, Spenser maintains a distinct style all his own; the nine-line stanza is, in my opinion, one of the most beautiful conventions in poetic verse. Oh yeah, and it's a darn good story too.

This edition of the "booke" far outshines any other I've encountered. The text itself is annotated with copious footnotes which explain unclear passages, point out allusions to classical, medieval and contemporary events, and provide criticism. All of the peripheral material associated with _The Faerie Qveene_ is also provided, including the dedication to Raleigh and introductory sonnets. Other value-adding perks include a comprehensive bibliography, a chart showing minor changes made between the poem's three publications, and a character guide.

Though this thick volume may seem daunting, it is in fact quite enjoyable. The notes are fairly unintrusive, so the casual reader can skim or read through the poem at his or her own pace, with the option to delve deeper if he or she desires.

I strongly advise anyone with an interest in Renaissance literature, Shakespeare, poetry, or English literature as a whole, to purchase this book, and to dish out the bit of extra money for this particular edition.

The last series from the master(and one of the first) of interstellar adventures since the 1920's. The Morgan Chane stories are a fairly typical non-juvenile Hamilton tour de force. With so much of Hamilton's work no longer available this is a good chance to read some of his best action SF.
If you're devotee of the Sci Fi channel (or live action Japanese SF shows) you've probably seen the loosely adaptated live action Japanese version of the 'Weapon from Beyond'.

"Starwolf" is actually a collection of three novels from the late 1960s: "The Weapon from Beyond," "The Closed Worlds," and "World of the Starwolves".

The Starwolves are Viking-like space pirates whose world's harsh gravity imparts to them a superhuman strength and musculature. Morgan Chane was almost one of them...though his family had come from earth. Finding himself an outcast after killing a fellow Starwolf in a feud over their plunder, Chane joins a band of tough interstellar mercenaries to survive. However, his troubles are not over--if any but Dilullo, the aging Merc in charge of the mercenary band, learns his secret, his life could be forfeit, for Starwolves are considered such a menace that they are usually shot on sight.

These books owe a lot to "Conan: The Barbarian," some to the pulp SF books of the 30s and 40s, and a bit to "The Stainless Steel Rat". Though somewhat derivative, they are nonetheless competantly and entertainingly written, with sufficiently interesting characterization, that they are well worth the time they take to read.

If you like slam bang adventure science fiction, with vividly drawn characters, pirates, mercenaries, and dozens of strongly drawn worlds and cultures, this will be your cup of tea, and I highly recommend it. The Starwolf series is full of the excitement and wonder and sense of limitless possibilities for adventure that is missing from much contemporary science fiction. This would be a good book to get a youngster hooked on sci fi (though I first read the StarWolf series as a 30 something adult and have gone back to it several times. Indeed, I've gone on to read everything I can find by Edmond Hamilton.)

A really fun read.